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Cooper, E. and Burrow, S. (2019) Know your rights: what can you do when your copyright is infringed? RPS Journal, 159(5),

Margoni, T. (2019) Artificial intelligence, machine learning and EU copyright law: who owns AI? AIDA: Annali italiani del diritto d'autore, della cultura e dello spettacolo, XXVII, pp. 281-304.

Cooper, E. and Burrow, S. (2019) Photographic copyright and the Intellectual Property Enterprise Court in historical perspective. Legal Studies, 39(1), pp. 143-165. (doi: 10.1017/lst.2018.10)

Sørensen, I. E. (2018) Content in context: the impact of mobile media on the British TV industry. Convergence: The International Journal of Research into New Media Technologies, 24(6), pp. 507-522. (doi: 10.1177/1354856516681703)

Margoni, T. (2018) Artificial Intelligence, Machine learning and EU copyright law: Who owns AI? Working Paper. CREATe, Glasgow. (doi: 10.5281/zenodo.2001763).

Doyle, G. (2018) Television and the development of the data economy: data analysis, power and the public interest. Working Paper. Centre for Copyright and New Business Models in the Creative Economy (CREATe), Glasgow. (doi: 10.5281/zenodo.1999430).

Stobo, V. , Patterson, K. , Erickson, K. and Deazley, R. (2018) “I should like you to see them some time”: an empirical study of copyright clearance costs in the digitisation of Edwin Morgan’s scrapbooks. Journal of Documentation, 74(3), pp. 641-667. (doi: 10.1108/JD-04-2017-0061)

Doyle, G. (2017) Digitization and Changing Windowing Strategies in the Television Industry: Negotiating New Windows on the World. Working Paper. CREATe, University of Glasgow, Glasgow. (doi: 10.5281/zenodo.55755).

Behr, A., Negus, K. and Street, J. (2017) The sampling continuum: musical aesthetics and ethics in the age of digital production. Journal for Cultural Research, 21(3), pp. 223-240. (doi: 10.1080/14797585.2017.1338277)

Doyle, G. (2016) Digitization and changing windowing strategies in the television industry: negotiating new windows on the world. Television and New Media, 17(7), pp. 629-645. (doi: 10.1177/1527476416641194)

Kretschmer, M. , Dusollier, S., Geiger, C. and Hugenholtz, P. B. (2016) The European Commission’s public consultation on the role of publishers in the copyright value chain: a response by the European Copyright Society. European Intellectual Property Review, 38(10), pp. 591-595.

Doyle, G. (2016) Television production, Funding Models and Exploitation of Content. ICONO14, 14(2), pp. 75-96. (doi: 10.7195/ri14.v14i2.991)

Munro, E. (2016) The career-building strategies of individual creators: a meta-analysis of qualitative research funded by CREATe. Working Paper. CREATe. (doi: 10.5281/zenodo.55748).

Munro, E. (2016) Developing the rural creative economy 'from below': exploring practices of market-building amongst creative entrepreneurs in rural and remote Scotland. M/C Journal, 19(3),

Erickson, K. and Kretschmer, M. (2014) Research Perspectives on the Public Domain: Digital Conference Proceedings. In: Research Perspectives on the Public Domain, Glasgow, UK, 11 Oct 2013, pp. 1-58.

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