Redefining the performing arts archive

Jones, S., Abbott, D. and Ross, S. (2009) Redefining the performing arts archive. Archival Science, 8(3), (doi: 10.1007/s10502-009-9086-1)

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Publisher's URL: http://dx.doi.org/10.1007/s10502-009-9086-1

Abstract

This paper investigates representations of performance and the role of the archive. Notions of record and archive are critically investigated, raising questions about applying traditional archival definitions to the performing arts. Defining the nature of performances is at the root of all difficulties regarding their representation. Performances are live events, so for many people the idea of recording them for posterity is inappropriate. The challenge of creating and curating representations of an ephemeral art form are explored and performance-specific concepts of record and archive are posited. An open model of archives, encouraging multiple representations and allowing for creative reuse and reinterpretation to keep the spirit of the performance alive, is envisaged as the future of the performing arts archive.

Item Type:Articles
Additional Information:The original publication is available at www.springerlink.com
Keywords:Performing arts, the archive, record, representation, fixity, liveness
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Abbott, Ms Daisy and Ross, Professor Seamus and Jones, Ms Sarah
Authors: Jones, S., Abbott, D., and Ross, S.
College/School:College of Arts & Humanities > School of Humanities > Information Studies
Journal Name:Archival Science
Publisher:Springer
ISSN:1389-0166
ISSN (Online):1573-7519
Published Online:29 August 2009
Copyright Holders:Copyright © 2009 Springer
First Published:First published in Archival Science 8(3)
Publisher Policy:Reproduced in accordance with the copyright policy of the publisher.

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