Existentialism and art-horror

Hanscomb, S. (2010) Existentialism and art-horror. Sartre Studies International, 16(1), pp. 1-23. (doi: 10.3167/ssi.2010.160101)

Abstract

This article explores the relationship between existentialism and the horror genre. Noël Carroll and others have proposed that horror monsters defy established categories. Carroll also argues that the emotion they provoke - 'art-horror' - is a 'composite' of fear and disgust. I argue that the sometimes horrifying images and metaphors of Sartre's early philosophy, which correlate with nausea and anxiety, have a non-coincidental commonality with art-horror explained by existentialism's preoccupation with the interstitial nature of the self. Further, it is argued that, as with some of the more sophisticated examples of the horror genre, the way for existential protagonists like Roquentin and Gregor Samsa to meet the challenge of the horrifying involves an accommodation of these features of the existential condition within their developing identity, which results in them appearing monstrous to others. Lastly, it is claimed that the association between existentialism and art-horror can explain the (paradoxical) appeal of horror.

• Item Type: Articles
• Keywords: Art-horror, nausea, anxiety, monster, interstitial
• Status: Published
• Refereed: Yes
• Glasgow Author(s) Enlighten ID: Hanscomb, Dr Stuart
• Authors: Hanscomb, S.
• Subjects: B Philosophy. Psychology. Religion > B Philosophy (General); B Philosophy. Psychology. Religion > BH Aesthetics; P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
• College/School: College of Social Sciences > School of Social & Environmental Sustainability
• Journal Name: Sartre Studies International
• Journal Abbr.: SSI
• Publisher: Berghahn Journals
• ISSN: 1357-1559
• ISSN (Online): 1558-5476
• Published Online: 01 January 2010
• Copyright Holders: Copyright © 2010 Berghahn Journals
• First Published: First published in Sartre Studies International 16(1):1-23
• Publisher Policy: Reproduced in accordance with the copyright policy of the publisher