Garwood, I. (2008) Sound and space in the split-screen movie. Refractory: A Journal of Entertainment Media, 14,
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Publisher's URL: http://web.archive.org/web/20180405172947/http://refractory.unimelb.edu.au/2008/12/27/garwood/
Abstract
This article focuses on the operation of sound in the split-screen movie. It concentrates, in particular, on instances where the storytelling function of sound is accompanied by the aural exploration of the split screen as a specific spatial form. Different relationships between the soundtrack and multiple frames are demonstrated through examples from The Thomas Crown Affair, The Boston Strangler and Timecode.
Item Type: | Articles |
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Status: | Published |
Refereed: | Yes |
Glasgow Author(s) Enlighten ID: | Garwood, Professor Ian |
Authors: | Garwood, I. |
College/School: | College of Arts & Humanities > School of Culture and Creative Arts > Theatre Film and TV Studies |
Journal Name: | Refractory: A Journal of Entertainment Media |
Publisher: | Cinema Studies Program, School of Culture and Communication, University of Melbourne |
ISSN: | 1447-4905 |
ISSN (Online): | 1447-4905 |
Published Online: | 27 December 2008 |
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