Looking for gold in mud: Pseudepigraphy and the ancient Christian rhetoric of attribution

Rodenbiker, K. G. (2024) Looking for gold in mud: Pseudepigraphy and the ancient Christian rhetoric of attribution. Early Christianity, 14(4), pp. 495-511. (doi: 10.1628/ec-2023-0033)

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Abstract

Pseudepigraphy is a feature, not a bug, of the generation of the New Testament canon. It is argued here that the common production but unfavorable reception of pseudepigraphy in the early centuries of Christianity and the detection and production of pseudepigraphical literature are all facilitated by the principles of ancient authenticity criticism. Even if the concern shown by ecclesiastical writers over the authentic attribution of works incorporated into an authoritative scriptural collection eventually appears to be overtaken by the centrality of apostolic association, pseudepigraphal or not, a rhetoric of anxiety surrounding pseudepigraphy – with much of its vocabulary drawn from classical authenticity criticism – remains a central aspect of the Christian debate over textual authority and canonicity. Pseudepigraphical practices both impede and drive the canonical process, while pseudepigrapha are both produced and detected by skills learned through ancient educational practices.

Item Type:Articles
Additional Information:This article has received funding from a British Academy/Leverhulme Trust Small Research Grant (SRG21/210779) and from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 847428).
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Rodenbiker, Dr Kelsie
Authors: Rodenbiker, K. G.
College/School:College of Arts & Humanities > School of Critical Studies > Theology and Religious Studies
Journal Name:Early Christianity
Publisher:Mohr Siebeck
ISSN:1868-7032
ISSN (Online):1868-8020
Copyright Holders:Copyright: © Mohr Siebeck 2024
First Published:First published in Early Christianity 14(4): 495-511
Publisher Policy:Reproduced in accordance with the publisher copyright policy

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