Paterson, D. (2024) 'Paris-Berlin et le monde entier': Ulrike Ottinger's points of departure. In: McRobbie, A. (ed.) Ulrike Ottinger: Film, Art and the Ethnographic Imagination. Intellect: London, pp. 173-186. ISBN 9781789389364 (In Press)
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Abstract
In this essay I consider the unique oeuvre of pioneering queer filmmaker and artist Ulrike Ottinger. Drawing on my experience of working closely with the artist on her 2018 solo exhibition 'Still Moving', I link her distinctive way of arranging and installing artworks to the larger intellectual and visual commitments in her practice. Using concepts from the work of Michel Foucault and Édouard Glissant, I analyse the specific mobilities that animate her work, in its interests in hybridity, androgyny and worldliness. The essay was commissioned by Prof Angela McRobbie for her edited book on the artist.
| Item Type: | Book Sections |
|---|---|
| Status: | In Press |
| Glasgow Author(s) Enlighten ID: | Paterson, Dr Dominic |
| Authors: | Paterson, D. |
| Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR N Fine Arts > NX Arts in general T Technology > TR Photography |
| College/School: | College of Arts & Humanities > School of Culture and Creative Arts > History of Art |
| Publisher: | Intellect |
| ISBN: | 9781789389364 |
| Related URLs: |
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