Emine Sevgi Özdamar’s “A Charwoman’s Career Memories of Germany”: Prosthetic Imagination and Masquerade

Yalcin, G. (2023) Emine Sevgi Özdamar’s “A Charwoman’s Career Memories of Germany”: Prosthetic Imagination and Masquerade. In: AHM Conference 2023: 'Diasporic Heritage and Identity', Amsterdam, Netherlands, 21-23 June 2023, pp. 99-108. ISBN 9789048562220 (doi: 10.5117/978904856222/AHM.2023.011)

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Abstract

This paper explores Turkish-German diasporic memory formations performed within the intersections of a politics of remembrance, issues of ethnicised migration and a sexual politics. Situated within a performance studies context, it analyses Emine Sevgi Özdamar’s short story “A Charwoman’s Career Memories of Germany” which follows the perspective of a Turkish woman who migrates into Germany as a guest worker. The narrator’s engagement with a German history is read as the workings of a “prosthetic imagination,” which she uses as a creative tool to implicate her experience of migration in culturally mediated forms of remembrance and world- making. Özdamar’s narrator masquerades as the corpse of Ophelia to gain access to a cultural and historical field of representations and uses this insider position to question from within the very discourses that perpetuate objectifying and alienating views of Gastarbeiter (guest worker) women.

Item Type:Conference Proceedings
Keywords:Diasporic memory, masquerade, migrant labour, remembrance, sexual politics
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Yalcin, Gonca
Authors: Yalcin, G.
College/School:College of Arts & Humanities > School of Culture and Creative Arts > Theatre Film and TV Studies
Publisher:Amsterdam University Press
ISBN:9789048562220
Copyright Holders:Copyright © 2023 The Authors
First Published:First published in Proceedings of the AHM Conference 2023: 'Diasporic Heritage and Identity', pp 99-108
Publisher Policy:Reproduced under a Creative Commons License
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