MacKisack, M., Aldworth, S., Macpherson, F. , Onians, J., Winlove, C. and Zeman, A. (2022) Plural imagination: diversity in mind and making. Art Journal, 81(3), pp. 70-87. (doi: 10.1080/00043249.2022.2110444)
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Abstract
The experience of visual mental imagery—seeing in the mind’s eye—varies widely between individuals, but perhaps because we tend to assume our own way of thinking to be everyone’s, how this crucial variation impacts art practice, and indeed art history, has barely been addressed. We seek to correct this omission by pursuing the implications of how artists with aphantasia (the absence of mental imagery) and hyperphantasia (imagery of extreme vividness) describe their working processes. The findings remind us of the need to challenge normative, universalizing models of art making and art maker.
Item Type: | Articles |
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Status: | Published |
Refereed: | Yes |
Glasgow Author(s) Enlighten ID: | Macpherson, Professor Fiona |
Authors: | MacKisack, M., Aldworth, S., Macpherson, F., Onians, J., Winlove, C., and Zeman, A. |
College/School: | College of Arts > School of Humanities > Philosophy |
Journal Name: | Art Journal |
Publisher: | Taylor & Francis |
ISSN: | 0004-3249 |
ISSN (Online): | 2325-5307 |
Published Online: | 23 September 2022 |
Copyright Holders: | Copyright © 2022 Taylor and Francis |
First Published: | First published in Art Journal 81(3): 70-87 |
Publisher Policy: | Reproduced in accordance with the publisher copyright policy |
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