From 'Völkisch' culture to dialectical Marxist aesthetics: Staging Kleist's Hermannsschlacht in the GDR

Ehrig, S. (2018) From 'Völkisch' culture to dialectical Marxist aesthetics: Staging Kleist's Hermannsschlacht in the GDR. Publications of the English Goethe Society, 87(2), pp. 99-109. (doi: 10.1080/09593683.2018.1485348)

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Abstract

The article investigates the aesthetic and political debates around two of the three historic theatrical productions of Heinrich von Kleist’s 'Die Hermannsschlacht' in the GDR, in Thale in 1957 and inLeipzig in 1988. The stagings can be seen to represent the twoopposing extremes of GDR cultural appropriation, and the shiftfrom political propaganda in the 1950s to Marxist critical theatre of the 1980s. In this context, Kleist’s oeuvre provides an ideal analytical tool to identify how political pragmatism in many cases replaced both ideological and Marxist cultural approaches in the nation-building years, and how dialectical culture from the 1970s onwards eventually achieved the critical appropriation of Kleist's works.

Item Type:Articles
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Ehrig, Dr Stephan
Authors: Ehrig, S.
College/School:College of Arts & Humanities > School of Modern Languages and Cultures > German
Journal Name:Publications of the English Goethe Society
Publisher:Taylor & Francis
ISSN:0959-3683
ISSN (Online):1749-6284
Published Online:27 June 2018

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