Williams, R. and Lewer, D. (2022) Art and the religious imagination: A conversation with Rowan Williams. Theology in Scotland, 29(1), pp. 23-34. (doi: 10.15664/tis.v29i1.2418)
![]() |
Text
271885.pdf - Published Version Available under License Creative Commons Attribution Non-commercial. 254kB |
Publisher's URL: https://doi.org/10.15664/tis.v29i1.2418
Abstract
Dr Deborah Lewer introduces this conversation between herself and Dr Rowan Williams by reflecting on how word and image point to the risk and the promise involved in words about wordless works of art. As a theologian, poet, and former Archbishop of Canterbury, Williams highlights the ongoing, responsive, and dynamic relationship that human beings can develop with particular pieces of visual art. Such an interaction can be extended when a painting is responded to by another medium – for instance, that of a poem. It is in the transcendence and indeterminacy of a piece of art that Williams locates imagination’s link to faith.
Item Type: | Articles |
---|---|
Status: | Published |
Refereed: | No |
Glasgow Author(s) Enlighten ID: | Lewer, Dr Deborah |
Authors: | Williams, R., and Lewer, D. |
College/School: | College of Arts > School of Culture and Creative Arts > History of Art |
Journal Name: | Theology in Scotland |
Publisher: | St Mary's College, University of St Andrews |
ISSN: | 1465-2862 |
ISSN (Online): | 1465-2862 |
Copyright Holders: | Copyright © 2022 Deborah Lewer; Rowan Williams |
First Published: | First published in Theology in Scotland 29(1):23-34 |
Publisher Policy: | Reproduced under a Creative Commons Licence |
University Staff: Request a correction | Enlighten Editors: Update this record