Heile, B. (2020) A theatre of sound and movement. Experimental music theatre and theories of embodied cognition. European Drama and Performance Studies, 15(2), pp. 217-237.
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Abstract
Recent theories of embodied cognition suggest that hearing sounds means perceiving movement. On this basis, the article develops a theoretical basis for experimental music theatre as a theatre of sounds and movements. This is illustrated by discussions of works by John Cage, Mauricio Kagel, Gerardo Gandini and Damián Rodríguez Kees.
| Item Type: | Articles |
|---|---|
| Status: | Published |
| Refereed: | Yes |
| Glasgow Author(s) Enlighten ID: | Heile, Professor Bjorn |
| Authors: | Heile, B. |
| Subjects: | M Music and Books on Music > ML Literature of music P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater |
| College/School: | College of Arts & Humanities > School of Culture and Creative Arts > Music |
| Journal Name: | European Drama and Performance Studies |
| Publisher: | Classiques Garnier |
| ISSN: | 2266-9035 |
| ISSN (Online): | 2045-8541 |
| Copyright Holders: | Copyright © 2020 Classiques Garnier |
| First Published: | First published in European Drama and Performance Studies 15(2):217-237 |
| Publisher Policy: | Reproduced with the permission of the publisher |
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