The Song of Songs and Christology in the Early Church, 381-451

Elliott, M. W. (2000) The Song of Songs and Christology in the Early Church, 381-451. Series: Studien und Texte zu Antike und Christentum / Studies and texts in antiquity and Christianity, 7. Mohr Siebeck: Tübingen. ISBN 9783161473944 (doi: 10.1628/978-3-16-158651-4)

Abstract

Mark W. Elliott presents a range of interpretations of the imagery used in the Song of Songs and demonstrates how the figures of the Bridegroom and Bride were understood. He pays attention to the historical context of those commenting on the Song between the councils of Constantinople 381 and Chalcedon 451, including theological disputes and spiritual movements. Showing how they found significance in such an unlikely text leads on to the conclusion that the commentators are largely in agreement that the Song refers to a meeting of the Word of God in his incarnate form, reaching out to all humanity, and the collective humanity, viewed in the obedient responsiveness of a bride. This responsive collective humanity is described variously in terms of 'church', believing soul, soul of Christ and humanity of Christ. Mark W. Elliott selects specifically Christological readings (i.e. those which interpret the Song with reference to the incarnation) and gives some reasons for the demise of such an interpretation and of commentary writing as a whole during that period.

• Item Type: Books
• Additional Information: Originally presented as the author's thesis (doctoral--University of Cambridge, 1997).
• Status: Published
• Glasgow Author(s) Enlighten ID: Elliott, Professor Mark
• Authors: Elliott, M. W.
• College/School: College of Arts & Humanities > School of Critical Studies > Theology and Religious Studies
• Publisher: Mohr Siebeck
• ISBN: 9783161473944

Related URLs

• University of Glasgow Library Catalogue