(Un)spoken: The register and display of the artist’s voice in the museum

Ross, A. (2016) (Un)spoken: The register and display of the artist’s voice in the museum. de arte, 51(1), pp. 115-123. (doi: 10.1080/00043389.2016.1176382)

211007.pdf - Accepted Version



This article is a two-fold exploration of the voice in relation to the documentation of artistic practice, whilst also focusing on the nuance and agency of the voice, its capture and presentation. Particularly in connection to the museum, this article posits the potential of approaching contemporary artworks displayed in a museum in an expanded and polyphonic manner. Drawing from a lineage of artistic example, it considers the possibilities and limitations of working with the voice and how to record and represent the interstitial, intimate or informal spaces of artistic production. The role of the museum as safeguard and mediator of artwork has been evolving apace to also accommodate the transparency of process, thus allowing for the revealing of institutional and artistic processes. With this reveal comes an enhanced understanding of the context in which an artwork was created and subsequently how it came to find itself within a particular collection.

Item Type:Articles
Glasgow Author(s) Enlighten ID:Ross, Dr Alexandra
Authors: Ross, A.
College/School:College of Arts > School of Culture and Creative Arts > History of Art
Journal Name:de arte
Publisher:Taylor and Francis
ISSN (Online):2471-4100
Published Online:18 August 2016
Copyright Holders:Copyright © 2016 Unisa Press
First Published:First published in de arte, 51(1):115-123
Publisher Policy:Reproduced in accordance with the copyright policy of the publisher

University Staff: Request a correction | Enlighten Editors: Update this record