Hopkins, D. (2019) The surrealist toy, or the adventures of the bilboquet. Sculpture Journal, 28(2), pp. 175-192. (doi: 10.3828/sj.2019.28.2.3)
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Abstract
The role of the toy, as a source for visual surrealism, has hardly been considered before now and even within avant-garde studies the toy is only just beginning to be looked at as an exemplar for modernist/avant-garde art. A growing literature on play has begun to register the importance of the ludic in Dadaist practice. Yet the surrealist toy has remained under-examined. Toys as (predominantly) three-dimensional objects lend themselves particularly well to sculpture. This essay therefore brings the specificities of the toy, surrealism and sculpture together in a new alignment through study of the bilboquet, an eroticized toy popular in France during the early twentieth century. This toy was the subject of a bawdy joke between Marcel Duchamp and a friend and might have been Duchamp’s first readymade.
Item Type: | Articles |
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Status: | Published |
Refereed: | Yes |
Glasgow Author(s) Enlighten ID: | Hopkins, Professor David |
Authors: | Hopkins, D. |
College/School: | College of Arts & Humanities > School of Culture and Creative Arts > History of Art |
Journal Name: | Sculpture Journal |
Publisher: | Liverpool University Press |
ISSN: | 1366-2724 |
ISSN (Online): | 1756-9923 |
Copyright Holders: | Copyright © 2019 University of Liverpool |
First Published: | First published in Sculpture Journal 28(2):175-192 |
Publisher Policy: | Reproduced in accordance with the copyright policy of the publisher |
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