Arora, G., & Milk, C. (Producer). (2015). Waves of Grace.
BBC (Writer). (2017). Blue Planet II. In B. N. H. U. (NHU) (Producer), Blue Planet II. UK: BBC.
BBC (Producer). (2018a). Home. [VR for Oculus Rift] Retrieved from https://www.bbc.co.uk/taster/pilots/home-a-vr-spacewalk
BBC (Producer). (2018b). We Wait. [VR for Oculus Rift ] Retrieved from https://www.bbc.co.uk/taster/pilots/we-wait
Bondebjerg, I. (2010). A new space for democracy? Online media, factual genres and the transformation of traditional mass media In J. Gripsrud (Ed.), Relocating Television: Television in the Digital Context (pp. 113-125). London: Routledge.
Bondebjerg, I. (2013). Engaging With Reality. Documentary and Globalisation. Bristol/Chicago: Intellect.
Corner, J. (1996). The art of record : a critical introduction to documentary. Manchester: Manchester University Press.
Corner, J. (2009). Documentary Studies: Dimensions of transition and continuity. In T. Austin & W. de Jong (Eds.), Rethinking Documentary: New Perspectives, New Practices (pp. 13-28). Maidenhead: Open University Press.
Frasca, G. (Producer). (2010). September 12th: A Toy World. Retrieved from http://www.gamesforchange.org/game/september-12th-a-toy-world/
Google (Producer). (2018). Access Mars.
Guardian, T. (Producer). (2017, 18th Ocotber 2018). First Impressions. [VR for iPhone and Android] Retrieved from Available for iPhone and Android at https://www.theguardian.com/lifeandstyle/video/2017/apr/11/first-impressions-a-virtual-experience-of-the-first-year-of-life-video-trailer
Holmes, k. (2015). An Ebola Survivor's Story, Told in Virtual Reality. Creators.
Lilley, I. (Writer). (2015). Quintinhill. The world's deadliest raildisaster. In F. Prodcution (Producer). Glasgow: BBC.
Lotz, A. D. (2017). Portals: A Treatise on Internet-Distributed Television. University of Michigan Library Retrieved from https://quod.lib.umich.edu/m/maize/mpub9699689/.
Macdonald, K. (Writer). (2003). Touching the Void. In J. S. f. F. ProductionFour (Producer). UK: Pathé.
Morris, E. (Writer). (1988). Thin Blue Line. US: Miramax
Umbrella Entertainment.
Nichols, B. (1991). Representing reality: issues and concepts in documentary. Bloomington: Indiana University Press.
Nichols, B. (1994). Blurred boundaries: questions of meaning in contemporary culture. Bloomington: Indiana University Press.
Nichols, B. (2009). The Question of Evidence, the Power of Rhetoric and Documentary film. In T. Austin & W. de Jong (Eds.), Rethinking Documentary: New Perspectives, New Practices (pp. 29-37). Milton Keynes: Open University Press.
Plantinga, C. R. (1997). Rhetoric and Representation in Nonfiction Film. Cambridge: Cambridge University Press.
Plantinga, C. R. (2005). What a Documentary Is, After All. The Journal of Aesthetics and Art Criticism, 63(2), 12.
Pope, L. (Producer). (2013). Papers, Please! Retrieved from http://papersplea.se/
Sørensen, I. E., & Thorhauge, A. M. (2013). Documentary at Play. In S. Apostle & M. Folk (Eds.), Online Credibility and Digital Ethos: Evaluating Computer-Mediated Communication (pp. 353-367). Hershey: IGI Global.
SportsIllustrated, & LIFEVR (Producer). (2017). Everest VR [VR for Oculus Rift] Retrieved from https://store.steampowered.com/app/384750/EVEREST_VR/
Thorhauge, A. (2018) The Privatisation of Age Classification. In Sörensen, Estrid, ed. Cultures of Computer Game Concerns: The Child Across Families, Law, Science and Industry. Vol. 23. transcript Verlag, 2018, pp 137-148.
Van Dijck, J., & Poell, T. (2015). Making Public Television Social? Public Service Broadcasting and the Challenges of Social Media. Television & New Media, 16(2), 148-164.
References
References