Exploring the realm of the unconscious in Anna Kavan's Sleep Has His House

Van Hove, H. (2017) Exploring the realm of the unconscious in Anna Kavan's Sleep Has His House. Women: A Cultural Review, 28(4), pp. 358-374. (doi: 10.1080/09574042.2017.1388584)

Abstract

Sleep Has His House, one of Anna Kavan’s most radically experimental novels, appeared in Britain in 1948, in the wake of the Second World War. An objection levied at the novel on its publication was that it bore no relationship to external ‘reality’. However, this article argues that the novel’s focus on the oneiric realm, contrary to what hostile contemporary reviews claimed, does not take place in isolation of larger society. Portraying modernist, surrealist and psychoanalytical influences, the novel is namely concerned with the representation of a nocturnal realm that emphasizes the osmotic relationship between the external world and an individual’s subjectivity. Focusing on the ways in which violent images of war infiltrate the dream world, this article suggests that Sleep Has His House can in fact be understood as reflecting and responding to the pressures of British war-torn society in the mid twentieth century.

• Item Type: Articles
• Status: Published
• Refereed: Yes
• Glasgow Author(s) Enlighten ID: Van Hove, Hannah
• Authors: Van Hove, H.
• College/School: College of Arts & Humanities > School of Critical Studies > English Literature
• Journal Name: Women: A Cultural Review
• Publisher: Taylor and Francis
• ISSN: 0957-4042
• ISSN (Online): 1470-1367
• Published Online: 20 November 2017
• Copyright Holders: Copyright © 2017 Informa UK Limited, trading as Taylor & Francis Group
• First Published: First published in Women: A Cultural Review 28(4):358-374
• Publisher Policy: Reproduced in accordance with the copyright policy of the publisher.