Postphenomenological performance in interactive narrative

O'Brien, D. P. (2017) Postphenomenological performance in interactive narrative. International Journal of E-Politics, 8(2), pp. 40-55. (doi: 10.4018/ijep.2017040104)

Abstract

This paper addresses the performance of bodies through a postphenomenological framework developed by Don Ihde. Through his theory, I will argue how performance is central to the stories of two recent interactive artworks: Dennis Del Favero's Scenario (2011) and Blast Theory's A Machine to See With (2010). Both artworks are distinct interactive narratives that utilize the human body in different ways. In each experience, it is essential for the user's body to perform with a technology in order to move the story through a sequence of events. In doing so the user as a performing body co-authors the story by interfacing with a technology in a specific way. My readings of the artworks are based on interviews that I have conducted with each of the artists. I pair these accounts with Ihdeian analysis to explain how different types of technologies and different uses of a technology break down into different human-technology relationships. I use these relationships to show how the story in each artwork is mobilized through the body of the participant as a postphenomenological performance.

• Item Type: Articles
• Status: Published
• Refereed: Yes
• Glasgow Author(s) Enlighten ID: O'brien, Daniel Paul
• Authors: O'Brien, D. P.
• College/School: College of Arts & Humanities > School of Culture and Creative Arts > Theatre Film and TV Studies
• Journal Name: International Journal of E-Politics
• Publisher: IGI Global
• ISSN: 1947-9131
• ISSN (Online): 1947-914X
• Copyright Holders: Copyright © 2017 IGI Global
• First Published: First published in International Journal of E-Politics 8(2):40-55
• Publisher Policy: Reproduced with the permission of the publisher