Sounding ruins: reflections on the production of an 'audio drift'

Gallagher, M. (2015) Sounding ruins: reflections on the production of an 'audio drift'. Cultural Geographies, 22(3), pp. 467-485. (doi: 10.1177/1474474014542745)

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Abstract

This article is about the use of audio media in researching places, which I term ‘audio geography’. The article narrates some episodes from the production of an ‘audio drift’, an experimental environmental sound work designed to be listened to on a portable MP3 player whilst walking in a ruinous landscape. Reflecting on how this work functions, I argue that, as well as representing places, audio geography can shape listeners’ attention and bodily movements, thereby reworking places, albeit temporarily. I suggest that audio geography is particularly apt for amplifying the haunted and uncanny qualities of places. I discuss some of the issues raised for research ethics, epistemology and spectral geographies.

Item Type:Articles
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Gallagher, Dr Michael
Authors: Gallagher, M.
College/School:College of Science and Engineering > School of Geographical and Earth Sciences
Journal Name:Cultural Geographies
Publisher:Sage Publications Ltd.
ISSN:1474-4740
ISSN (Online):1477-0881
Copyright Holders:Copyright © 2014 The Author
First Published:First published in Cultural Geographies 22(3):467-485
Publisher Policy:Reproduced under a Creative Commons License

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Project CodeAward NoProject NamePrincipal InvestigatorFunder's NameFunder RefLead Dept
593961The Invisible College - Building Communities of Creative PracticeHayden LorimerArts and Humanities Research Council (AHRC)AH/K502728/1SCHOOL OF GEOGRAPHICAL & EARTH SCIENCES