Rethinking the music industry

Williamson, J. and Cloonan, M. (2007) Rethinking the music industry. Popular Music, 26(2), pp. 305-322. (doi: 10.1017/S0261143007001262)

Full text not currently available from Enlighten.

Abstract

This article examines a very basic question for popular music studies: what is ‘the music industry?’ It surveys the usage of the term in various arenas and argues that it is often used in ways which state or imply that the industry is a homogenous unit with shared objectives and interests. However, the reality is that this picture is, at best, outdated and an inaccurate portrayal of the organisational structure of the global music economy in the mid-2000s. In addition, to think of a single ‘music industry’ rather than music industries, plural, is simplistic and does little to aid understanding of those cultural industries which are primarily concerned with the creation, management and selling of music, either as a physical/digital product, a performance, or as a bundle of intellectual property rights. We tease out the implications of this, especially as they relate to understanding what is routinely referred to as ‘the music industry’ and the development of policies for it.

Item Type:Articles
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Williamson, Dr John and Cloonan, Professor Martin
Authors: Williamson, J., and Cloonan, M.
Subjects:M Music and Books on Music > ML Literature of music
College/School:College of Arts & Humanities > School of Culture and Creative Arts > Music
Journal Name:Popular Music
Publisher:Cambridge University Press
ISSN:0261-1430
ISSN (Online):1474-0095
Published Online:26 April 2007

University Staff: Request a correction | Enlighten Editors: Update this record