Fotiade, R. (1998) The slit eye, the scorpion and the sign of the cross: surrealist film theory and practice revisited. Screen, 39(2), pp. 109-123. (doi: 10.1093/screen/39.2.109)
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Publisher's URL: http://dx.doi.org/10.1093/screen/39.2.109
Abstract
A critical presentation of the early avant-garde experimentation with film across a range of competing theoretical strands and practices (including the Impressionist school, the abstract/Dada maverick directors and the Surrealist artists),leading up to a re-assessment of the legacy of Surrealism in the Italian and French cinema from the 1960s to the 1980s.
| Item Type: | Articles |
|---|---|
| Status: | Published |
| Refereed: | Yes |
| Glasgow Author(s) Enlighten ID: | Fotiade, Dr Ramona |
| Authors: | Fotiade, R. |
| Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
| College/School: | College of Arts & Humanities > School of Modern Languages and Cultures > French |
| Journal Name: | Screen |
| Publisher: | Oxford University Press |
| ISSN: | 0036-9543 |
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