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Publisher's URL: http://dx.doi.org/10.1093/screen/39.2.109
A critical presentation of the early avant-garde experimentation with film across a range of competing theoretical strands and practices (including the Impressionist school, the abstract/Dada maverick directors and the Surrealist artists),leading up to a re-assessment of the legacy of Surrealism in the Italian and French cinema from the 1960s to the 1980s.
|Glasgow Author(s):||Fotiade, Dr Ramona|
|Subjects:||N Fine Arts > N Visual arts (General) For photography, see TR|
|College/School:||College of Arts > School of Modern Languages and Cultures > French|
|Publisher:||Oxford University Press|