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This article examines the policies of the British Musicians’ Union towards the employment of musicians who were not UK citizens in the period from the 1920s to the 1950s, with particular emphasis on an alleged ban on American musicians entering the country. Drawing on a number of hitherto largely ignored and/or unavailable sources, it argues that many previous accounts of these policies have simplified a more complex picture. We illustrate that complexity and suggest that the issues surrounding the ban are ones which continue to resonate.
|Glasgow Author(s) Enlighten ID:||Cloonan, Prof Martin and Brennan, Mr Matthew|
|Authors:||Cloonan, M., and Brennan, M.|
|College/School:||College of Arts > School of Culture and Creative Arts > Music|
|Journal Name:||Popular Music|
|Published Online:||16 May 2013|