Performing digital aesthetics: the framework for a theory of the formation of interactive narratives

Brown, N.C.M., Barker, T.S. and Del Favero, D. (2011) Performing digital aesthetics: the framework for a theory of the formation of interactive narratives. Leonardo: Art Science and Technology, 44(3), pp. 212-219. (doi:10.1162/LEON_a_00165)

Brown, N.C.M., Barker, T.S. and Del Favero, D. (2011) Performing digital aesthetics: the framework for a theory of the formation of interactive narratives. Leonardo: Art Science and Technology, 44(3), pp. 212-219. (doi:10.1162/LEON_a_00165)

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Abstract

Interactive narratives are inextricable from the way that we understand our encounters with digital technology. This is based upon the way that these encounters are processually formed into a narrative of episodic events, arranged and re-arranged by various levels of agency. After describing past research conducted at the iCinema Research Centre at the University of New South Wales, this paper sets out a framework within which to build a relational theory of interactive narrative formation, outlining future research in the area.

Item Type:Articles
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Barker, Dr Timothy
Authors: Brown, N.C.M., Barker, T.S., and Del Favero, D.
Subjects:B Philosophy. Psychology. Religion > B Philosophy (General)
B Philosophy. Psychology. Religion > BH Aesthetics
N Fine Arts > N Visual arts (General) For photography, see TR
T Technology > T Technology (General)
College/School:College of Arts > School of Culture and Creative Arts > Theatre Film and TV Studies
Journal Name:Leonardo: Art Science and Technology
Publisher:MIT Press
ISSN:0024-094X
ISSN (Online):1530-9282
Published Online:03 May 2011

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