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Rocking the boat: Jonah and the new historicism

Sherwood, Y. (1997) Rocking the boat: Jonah and the new historicism. Biblical Interpretation, 5 (4). p. 364. ISSN 0927-2569 (doi:10.1163/156851597X00139)

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Publisher's URL: http://dx.doi.org/10.1163/156851597X00139

Abstract

This reading is about critical versions of texts and how they survive (or over-live) in the critical imagination. It looks at three readings of the book of Jonah, from 1550, 1781-2 and 1860, the first freezing the moment where Jonah is catapulted from the boat as the narrative's single defining moment, the second abstracting the image of Jonah looking out over Nineveh and snarling over God's change of mind, and the third zooming in on the body of the whale, its species, jawsize and body weight. In each case it is clear that the book of Jonah (and thus the Bible) is not hermetically sealed off from culture nor merely read against a cultural background, but that the "Bible" and "Society," text and context, are held in complex and reciprocal lines of force. The story of Jonah, the whale, God and the Ninevites is a stage where the transformed fears and anxieties of cultures are acted out, and gives back to society a transformed, idealised, picture of itself.

Item Type:Article
Status:Published
Refereed:Yes
Glasgow Author(s):Sherwood, Prof Yvonne
Authors: Sherwood, Y.
College/School:College of Arts > School of Critical Studies > Theology and Religious Studies
Journal Name:Biblical Interpretation
Publisher:Brill
ISSN:0927-2569

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