Sound and space in the split-screen movie

Garwood, I. (2008) Sound and space in the split-screen movie. Refractory: A Journal of Entertainment Media, 14,

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Publisher's URL: http://web.archive.org/web/20180405172947/http://refractory.unimelb.edu.au/2008/12/27/garwood/

Abstract

This article focuses on the operation of sound in the split-screen movie. It concentrates, in particular, on instances where the storytelling function of sound is accompanied by the aural exploration of the split screen as a specific spatial form. Different relationships between the soundtrack and multiple frames are demonstrated through examples from The Thomas Crown Affair, The Boston Strangler and Timecode.

Item Type:Articles
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Garwood, Dr Ian
Authors: Garwood, I.
College/School:College of Arts > School of Culture and Creative Arts > Theatre Film and TV Studies
Journal Name:Refractory: A Journal of Entertainment Media
Publisher:Cinema Studies Program, School of Culture and Communication, University of Melbourne
ISSN:1447-4905
ISSN (Online):1447-4905
Published Online:27 December 2008

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