Geraghty, C. (2010) Exhausted and exhausting: television studies and British soap opera. Critical Studies in Television, 5(1), pp. 82-96.
Text
34123.pdf 144kB |
Abstract
This article responds to recent shifts in television studies and argues that those developments have resulted in the invisibility of the most popular form of British programming, the soap opera. Through analysing existing work on soaps it demonstrates that a critical orthodoxy has arisen, which stifles further analysis of the genre. Drawing on a range of possible approaches - including realism, melodrama, textual analysis and the role of the family - it is argued that the genre requires a reappraisal which not only takes into account its generic development but which also acknowledges the complexity of it as a aspect of television culture.
Item Type: | Articles |
---|---|
Keywords: | Soap opera, television studies, text books, methods, value |
Status: | Published |
Refereed: | Yes |
Glasgow Author(s) Enlighten ID: | Geraghty, Professor Christine |
Authors: | Geraghty, C. |
Subjects: | P Language and Literature > PN Literature (General) > PN1990 Broadcasting |
College/School: | College of Arts & Humanities > School of Culture and Creative Arts > Theatre Film and TV Studies |
Journal Name: | Critical Studies in Television |
Publisher: | Manchester University Press |
ISSN: | 1749-6020 |
ISSN (Online): | 1749-6039 |
Copyright Holders: | Copyright © 2010 Manchester University Press |
First Published: | First published in Critical Studies in Television 5(1):82-96 |
Publisher Policy: | Reproduced in accordance with the copyright policy of the publisher |
University Staff: Request a correction | Enlighten Editors: Update this record