Critical trends in transnational cinema: Inter-Asian productions and exchanges

Yang, Y., Clini, C. and Dasgupta, R. (2020) Critical trends in transnational cinema: Inter-Asian productions and exchanges. Transnational Screens, 11(3), pp. 177-186. (doi: 10.1080/25785273.2020.1823078)

Full text not currently available from Enlighten.


In light of the shift from the first phase to the second phase of transnational cinema studies, this special issue aims to examine a set of practices of transnational cinema that have been taking place within South and East Asia. In exploring transnational cinema activities in the form of transnational remakes, co-productions, cross-contamination of genres, diasporic and (post)colonial cinemas, as well as contemporary documentary film festivals, this issue puts the spotlight on critical trends in transnational cinemas occurring beyond the Western spheres of influences. Focusing on practical applications of case studies across China, Korea, India and United Arab Emirates, this special issue contributes to the debates on the definition and practical applications for research on transnational cinema studies.

Item Type:Articles
Additional Information:Yanling Yang’s work was supported by the Leverhulme Trust under Grant [ECF-2018-571]. The papers emerged from a series of workshops through funding received by Clelia Clini and Rohit K Dasgupta by the Institute for Media and Creative Industries.
Glasgow Author(s) Enlighten ID:Dasgupta, Dr Rohit
Authors: Yang, Y., Clini, C., and Dasgupta, R.
College/School:College of Arts > School of Culture and Creative Arts > Theatre Film and TV Studies
Journal Name:Transnational Screens
Publisher:Taylor & Francis
ISSN (Online):2578-5265
Published Online:23 October 2020

University Staff: Request a correction | Enlighten Editors: Update this record