A theatre of sound and movement. Experimental music theatre and theories of embodied cognition

Heile, B. (2020) A theatre of sound and movement. Experimental music theatre and theories of embodied cognition. European Drama and Performance Studies, 15(2), pp. 217-237.

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Abstract

Recent theories of embodied cognition suggest that hearing sounds means perceiving movement. On this basis, the article develops a theoretical basis for experimental music theatre as a theatre of sounds and movements. This is illustrated by discussions of works by John Cage, Mauricio Kagel, Gerardo Gandini and Damián Rodríguez Kees.

Item Type:Articles
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Heile, Professor Bjorn
Authors: Heile, B.
Subjects:M Music and Books on Music > ML Literature of music
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
College/School:College of Arts > School of Culture and Creative Arts > Music
Journal Name:European Drama and Performance Studies
Publisher:Classiques Garnier
ISSN:2266-9035
ISSN (Online):2045-8541
Copyright Holders:Copyright © 2020 Classiques Garnier
First Published:First published in European Drama and Performance Studies 15(2):217-237
Publisher Policy:Reproduced with the permission of the publisher

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