Tantalising fragments: Scotland’s voice in the early talkies in Britain and Jenny Gilbertson’s The Rugged Island: A Shetland Lyric (1934)

Neely, S. (2018) Tantalising fragments: Scotland’s voice in the early talkies in Britain and Jenny Gilbertson’s The Rugged Island: A Shetland Lyric (1934). Music, Sound, and the Moving Image, 12(2), pp. 171-195. (doi: 10.3828/msmi.2018.10)

Abstract

This article will consider the tantalising fragments of the Scottish voice in the early talkies, exploring the response of Scottish audiences to various accents and voices, and offering a survey of the films set or produced in Scotland during the period of transition from silent cinema to sound. Particular focus will be given to Jenny Gilbertson’s The Rugged Island: A Shetland Lyric (1934), one of the early Scottish indigenous sound productions that have been largely overlooked in critical accounts of early sound cinema in Britain. As this article will illustrate, the film offers unique insight into the disjuncture between the ambitions of filmmakers in relation to how Scotland might feature on the soundtracks of the early talkies and the reality of what could be achieved given the limitations of the available technologies.

• Item Type: Articles
• Status: Published
• Refereed: Yes
• Glasgow Author(s) Enlighten ID: Neely, Professor Sarah
• Authors: Neely, S.
• College/School: College of Arts & Humanities > School of Culture and Creative Arts > Theatre Film and TV Studies
• Journal Name: Music, Sound, and the Moving Image
• Journal Abbr.: MSMI
• Publisher: Liverpool University Press
• ISSN: 1753-0768
• ISSN (Online): 1753-0776
• Published Online: 18 January 2019
• Copyright Holders: Copyright © 2018 Liverpool University Press
• First Published: First published in Music, Sound, and the Moving Image 12(2): 171-195
• Publisher Policy: Reproduced in accordance with the publisher copyright policy