Colour layering and colour constancy

Brown, D. (2014) Colour layering and colour constancy. Philosophers' Imprint, 14(15), pp. 1-31.

[img]
Preview
Text
140661.pdf - Published Version
Available under License Creative Commons Attribution Non-commercial No Derivatives.

1MB

Publisher's URL: http://hdl.handle.net/2027/spo.3521354.0014.015

Abstract

Loosely put, colour constancy for example occurs when you experience a partly shadowed wall to be uniformly coloured, or experience your favourite shirt to be the same colour both with and without sunglasses on. Controversy ensues when one seeks to interpret ‘experience’ in these contexts, for evidence of a constant colour may be indicative a constant colour in the objective world, a judgement that a constant colour would be present were things thus and so, et cetera. My primary aim is to articulate a viable conception of Present Constancy, of what occurs when a constant colour is present in experience, despite the additional presence of some experienced colour variation (e.g., correlating to a change in illumination). My proposed conception involves experienced colour layering – experiencing one opaque colour through another transparent one – and in particular requires one of those experienced layers to remain constant while the other changes. The aim is not to propose this layering conception of colour constancy as the correct interpretation of all constancy cases, but rather to develop the conception enough to demonstrate how it could and plausibly should be applied to various cases, and the virtues it has over rivals. Its virtues include a seamless application to constancy cases involving variations in filters (e.g., sunglasses) and illuminants; its ability to accommodate experiences of partial colours and error-free interpretations of difficult cases; and its broad theoretical-neutrality, allowing it to be incorporated into numerous perceptual epistemologies and ontologies. If layered constancy is prevalent, as I suspect it is, then our experiential access to colours is critically nuanced: we have been plunged into a world of colour without being told that we will rarely, if ever, look to a location and experience just one of them.

Item Type:Articles
Status:Published
Refereed:Yes
Glasgow Author(s) Enlighten ID:Brown, Dr Derek
Authors: Brown, D.
College/School:College of Arts > School of Humanities > Philosophy
Journal Name:Philosophers' Imprint
Publisher:Michigan Publishing
ISSN:1533-628X
ISSN (Online):1533-628X
Copyright Holders:Copyright © 2014 Derek H. Brown
First Published:First published in Philosophers' Imprint 14(15):1-31
Publisher Policy:Reproduced under a Creative Commons License

University Staff: Request a correction | Enlighten Editors: Update this record