Kendhang, Or and Vug: three works for performer and live computer system

Fells, N. (1999) Kendhang, Or and Vug: three works for performer and live computer system. Organised Sound, 4(2), pp. 79-85.

Abstract

This paper outlines some of the technical and aesthetic issues arising from my works which involve computer technology directly in live performance. A process of experimentation in algorithmic composition is described, particularly in relation to aspects of form and ways of automating musical processes at various structural levels. Three works are then described: Kendhang is a work in which a dancer influences the output of a simple algorithmic music system based on interpolation; Or is an instrumental trio which uses realtime sound granulation; and Vug extends this realtime granulation and applies it to a solo clarinet line. An exploration of both the distinctions and similarities between these works is used to develop a general approach to the integration of computer-based algorithmic systems with live performance. This approach emphasises the need for efficient use of technological resources in order to convey expressive content accurately.

• Item Type: Articles (Other)
• Status: Published
• Refereed: Yes
• Glasgow Author(s) Enlighten ID: Fells, Professor Nick
• Authors: Fells, N.
• Subjects: M Music and Books on Music > ML Literature of music
• College/School: College of Arts & Humanities > School of Culture and Creative Arts > Music
• Journal Name: Organised Sound
• Publisher: Cambridge University Press
• ISSN: 1355-7718
• Copyright Holders: Cambridge University Press