Paterson, D. (2006) Escapism and masculinity: Harry Houdini and Matthew Barney’s Cremaster Cycle. Edinburgh Review(116),
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Abstract
A comparison between artist Matthew Barney's use of Harry Houdini as an alter-ego emblematising an imagined escape (of sorts) from normative masculine identity, and Houdini's own complex performance of a masculine embodiment deeply shaped by a modernity that it never escapes for long.
| Item Type: | Articles |
|---|---|
| Status: | Published |
| Refereed: | Yes |
| Glasgow Author(s) Enlighten ID: | Paterson, Dr Dominic |
| Authors: | Paterson, D. |
| Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
| College/School: | College of Arts & Humanities > School of Culture and Creative Arts > History of Art |
| Journal Name: | Edinburgh Review |
| Publisher: | Edinburgh Review |
| ISSN: | 0267-6672 |
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